Full-time creative.
Part-time wanabe athlete.
Project 01
Wingmen
This was one of my favourite projects to date. Instagram wanted to create a show featuring best friends Trent Alexander-Arnold and Andy Robertson at the peak of their careers — and Wingmen was born.
Brought in as a freelance Creative Director, I developed the original show concept, wrote the scripts, and mapped out the series structure. I then directed the two-day shoot, working closely with the production team to shape six episodes, which were released on the players’ own channels.
The response was brilliant — not just from Liverpool fans, but from football audiences everywhere. The series picked up multiple awards and was commissioned for two more seasons.
Project 02
Rainbow Laces
I’m a sport-obsessed creative still holding onto dreams of turning pro. Over the years, I’ve done it all — from launching YouTube channels to directing TV ads, producing podcasts to staging live events. I’ve worked on everything from big-budget campaigns with global sports brands to scrappy Sunday league shoots, and I bring the same energy and care to every project.
I take a hands-on, collaborative approach, crafting ideas from concept through to execution. For me, the goal is always the same: to create work that entertains, inspires, builds communities and gets people moving.
There’s nothing better than seeing a great idea cross the finish line.
For the 10th anniversary of Stonewall’s Rainbow Laces campaign, England Football wanted to take a new approach. I had noticed how major football clubs were increasingly tied to gambling and other problematic sponsorships, so I came up with a campaign that flipped that script — giving grassroots teams the opportunity to donate their sponsorship space to a good cause.
In addition to sending out Rainbow Laces, we produced and distributed thousands of vinyl patches for teams to apply to their kits for the remainder of the season. The response was incredible: we received a huge number of stories from clubs proudly showcasing their new sponsor, all in support of making football a more inclusive and welcoming space. I directed all of the content across the campaign including the shoot with Caversham FC featured here.
Nike Powerhouse
The Nike Powerhouse program was designed to accelerate the development of qualified female football coaches.
I collaborated closely with the program’s founders and the Nike team to develop and direct the hero film below—created to raise awareness and excitement around this inspiring opportunity for young women. In addition to the hero film, we produced a suite of social assets and promotional content to generate excitement and drive engagement for the upcoming season.
Project 03
Celsius
Celsius is on a mission to take on Red Bull in the energy drink market, and I had the opportunity to contribute to some of their most high-profile athlete partnerships—bringing the brand to life within the F1 scene and the UK market.
I led the development of the original creative concepts, handled art direction, and managed all aspects of planning and talent direction across the shoots. We developed social hype films ahead of big races and games as well as an out of home campaign to launch Celsius in the UK.
Project 04
Project 05
EE - Wembley Cup
A few years ago, I had the opportunity to lead the EE partnership activation with Wembley Stadium. The goal was to connect with a younger audience through a groundbreaking YouTube series. I developed the concept for the Wembley Cup—a unique competition where YouTube creators faced off on the iconic Wembley pitch.
Working closely with these creators, we built momentum through a series of episodes documenting team selection, training, and behind-the-scenes moments, all leading up to the live final.
The Wembley Cup went on to run for five successful seasons, becoming EE’s most engaging campaign ever. It was the first YouTube creator tournament to be played in front of a live audience at Wembley and helped pioneer the trend of influencer-led online football competitions.
Project 06
FIFA
I've worked with FIFA for several years, helping to ideate and produce social content rooted in strong storytelling, designed to engage audiences ahead of major tournaments. From the 2022 World Cup and the 2023 Women’s World Cup to the upcoming Club World Cup in 2025 and the build-up to 2026 in the U.S., I’ve contributed across a wide spectrum of creative outputs—including brand design, illustration, long-form interviews, bespoke animation, special effects, podcasts, and AI-driven content.
This partnership has been incredibly creatively fulfilling, thanks to FIFA’s global reach, unique access, and a forward-thinking approach to experimentation across their channels and campaigns.
Project 07